Modular synthesiser live-patching has gradually been accepted into the big-tent of live coding practice, due to a number of natural similarities to computer-based live coding. These similarities especially include flexibility, complexity and sudden stops. In my own performance of live-patching, I have sought out other areas of digital live coding practice to apply to the modular synthesiser. These include starting from a blank slate, showing my cables (sometimes with projection), graph changes and the use of conditional triggers to create audio events.