Was presented at:
Publication: https://doi.org/10.5281/zenodo.7842097
In this text I deploy Nancy Fraser's theory of the 'triple movement' to analyse and re-imagine the node of techno-scientific art practice, paying attention to the Mexican art context and the imagined (trans-national) community of live coding. From Fraser's ideas, I provide an analysis of Actor-Network Theory and a general comment on technofeminism as a set of theoretical frameworks insufficient for integrating emancipation properly into artistic and scientific practices.